Author: Jane Metcalfe

Today and today and today

Today and today and today

I resonated with Macbeth from the time I first came across the play at my co-ed Quaker boarding school in the Cotswolds. My memories of Sibford are sharp only for the things that made an impact on me – good and bad. I don’t recall much of the teaching being that inspiring, aside from Music, Art and English. I guess Religious Instruction was okay too because it was the closest I got to philosophy at school. I was there from the age of 10 to 14. But in that time, despite the misery of sub-standard vegetarian food, lumpy mattresses and boys (I was never interested at that stage of my life), my future was undoubtedly inspired by the  three aforementioned subjects, at which I excelled. I was known for “sleepwalking” in the dorm with my sheet wrapped round me, spouting Lady Macbeth’s famous speech: Out damned spot; out I say!  The melodrama of it appealed to me more than the cerebral side of things. I was never destined to be an academic.

I soon gravitated towards Macbeth’s speech on the futility of the human condition. We had to learn it by heart in English class. Tomorrow and tomorrow and tomorrow creeps in this petty pace…..  Oh how those words strike me even now! Perhaps it is the best known speech from Shakespeare, along with the one from As You Like It spoken by the sanguine Jacques:  All the world’s a stage and all the men and women merely players…. He then proceeds to “nail” the human condition in the seven stages of man, leaving us nodding sagely, though, as a young girl, with a deep sense of alarm. Is that what I have to look forward to: Sans teeth, sans eyes, sans taste, sans everything? Both speeches  share cynicism, truth and wisdom in equal portions, depending on which way you look at them.

This brings me to the reason I am writing this. Life is brief, it is tomorrow and tomorrow, we do age and wither. And yet and yet… as a haiku about a drop of dew trembling on a blossom that I have now forgotten the rest of, ends. The “and yet”, is a reminder to live for today as if there is no tomorrow. Life is indeed a drama in seven acts, and all our yesterdays have lighted fools the way to dusty death. We have mewled and puked and we will end up, if not sans eyes and teeth, nodding at the fire or rambling in our minds. Today, what is happening now; the restrictions we are all living under, whether we like it or not, are a sharp reminder that we are only able to live in the moments as they unfold. Thinking about life is a distraction from actually living it. It isn’t very long and yet it is an eternity… There is always much to gladden us.

As Feste the Jester sings in the finale of Twelfth Night, there will come a time when our play is done. But not yet, not yet…

A great while ago the world begun,
With hey, ho, the wind and the rain,
But that’s all one, our play is done,
 And we’ll strive to please you every day.
Autumn Concedes to Winter

Autumn Concedes to Winter


Morning walk
This is the day when autumn officially concedes to winter..yet decides to hang around just a bit longer, showing off the leftover scraps of its colourful dress. My hands are stuffed in my pockets when not stealing this last gasp with my camera. Light, like the rheumy eyes of an elder, glances at my own, sharp with morning sight. A robin on the path doesn’t fly away as I pass, but huddles, like a lost child, close to the wall, its breast a starker red against sandy grey stone.
The toe-capped wind pecks at my head as I walk, briskly now, nearly late for what’s next in the world of doings. Here, I know myself reflected only in this scene of non-human goings on that changes hands in a seamless dance of grace. I return here every day taking its nameless beauty back with me to float imperceptibly behind my eyes, ready to remind me when linearity threatens to take over my mind.

Afternoon walk
Later the sun pastes fragments of itself on the stones in the alley, echoing the leaves of earlier. Over the sea, like some glorious sign of hope, the same sun brazenly exposes itself to passers by, bedding down on stripling clouds, as it prepares for its final exit. We will rise again, it shouts with flaming tongue. We will! We will! 

Three men stand on the beach like silhouetted sentinels, mirroring  my inner warrior. I meet two friends: one I haven’t seen for years, a woman who always wanted a man and is now walking  clutching the hand of one. Some people – but by no means all –  disappear behind a screen when they’ve found another life to make them whole for a little while. The single ones, like me, wander around the couples like visitors at an exhibition of Rodin lovers. Next, a more recent friend with whom I resonate. My heart quickens. We agree to meet up. This strange time we are living in brings some friendships closer. They are always the ones where innate truths are shared, who I leave carrying more riches than when I entered.

The natural world is more powerful than us. We are always losing our way and always being found…

The Lockdown Walks – Connections

Back in March when we suddenly went into Lockdown number 1, it was a shock on many levels and yet it brought with it unexpected rewards. I had not taken such a long time off work for many years, apart from a month in August, invariably filled with people to visit and things to catch up on. So an enforced break was entirely different. It gave me “permission” to do what I love best: to walk and contemplate; to indulge, guilt-free, in photography, writing and reading. The result of this was a series of posts on my facebook page writing about what I discovered on my walks, accompanied by photos. You could call it a diary. It is a kind of unfolding of my experience, inner and outer, of that unprecedented time, when life as we knew it suddenly stopped My intention is to publish it at some point, but publicising my book, Things in Heaven and Earth, is my main focus at the moment. However, I thought it would be nice share to my walks now and then. Here is one about my favourite tree:

April 28th 2020
After most of the previous day without water due to a faulty pipe in the main reservoir, I woke up this morning to sputtering taps clearing their pipes, much the same as I do first thing before my breath flows smoothly. It was raining and I felt that little slump of disappointment in me after weeks of sunny walks. By 10.30 it had turned to drizzle and off I went. I was immediately struck by the plants: sharp and glistening, as thankful to bathe in water as I had been earlier.

There were very few people out. I went into the park to visit my favourite tree for a spot of tai chi (an unintentional rhyme). Afterwards I was marvelling at the strange vein-like streaks in its trunk. I hadn’t noticed them before. Then at the base was a little patch of foam emanating from the point where trunk met earth. I bent down to look and of course took a photo. As I walked down the path a man with an elderly dog, who was dutifully sniffing at a plant, asked why I was taking a photo of the trunk base. I confessed to being curious. He said there was probably some damage and this was the sycamore’s reaction. Sycamore! I hadn’t known! Now my favourite tree had a name! We talked at distance for a while as he waited for his 18 year old dog to finish her foraging. “She doesn’t like to come out” he told me. He spoke wistfully, as though feeling the imminent loss of her and, perhaps too, of his excuse for leaving his four walls behind to dwell awhile in this – Nature’s open-plan house.

I love this peek into people when they reveal quite unintentionally a good heart, a passion, a sensitivity that calls to me on a deep level. This is real connection.

I stopped to look at the drops of rain fanning out between the lily pads on the little lake then on to the seafront and a half tide with four cormorants lording it, each on their own reptilian rock. And finally this lone man gazing out to sea.

Rain. Water. Sea. Connections. Where would we be without them?

A Truer Evolution

I find myself once again using the analogy of Alice in Wonderland for what continues to unfold in our current reality.  I am by no means the only one calling on Alice’s adventures at this time.  In my book – my reality, my interpretation – Alice fell down a rabbit hole and popped into a histrionic version of future adulthood. Faced with the whole panoply of the human condition, from the ravings of a power-crazed Red Queen, to the wry observations of the creepy Cheshire cat, she witnessed a world of anomalies closer to reality than she might have imagined. Although it was Lewis Carroll’s (aka Rev Dodgson) commentary on Victorian society, it equally applies to any period in the history of societal man. If you want to observe the generic condition of humankind with a degree of detachment, what better way than through the eyes of a child, before the mores of the world have ruptured her innocence?

In truth Dodgson was a seer, a consummate philosopher. Why does Alice still hold such appeal? Because it strikes a chord! Today we literally do know what’s going on all over the world, gratis of the all-seeing eye of modern technology (a step forward or back?). At the click of a button we can enter Alice’s world from wherever we are on the planet. But we are not just observers; we are part of the collective surge moving towards growth and evolution, whether we like it or not. It’s just that now, it all seems to have taken a nasty turn… Surely we should be growing in stature, in wisdom, in deed? Shouldn’t that be the true objective of evolution?

Near the end of the book, when Alice is in court on trial for her life for daring to speak the “truth”, she suddenly feels a peculiar sensation and realises she is growing again. She could leave the courtroom but decides to stay where she is for the time being:

“I wish you wouldn’t squeeze so,” said the Dormouse, who was sitting next to her. “ I can hardly breathe.” “ I can’t help it,” said Alice very meekly : “I’m growing.” “ You ’ve no right to grow here,” said the Dormouse. “Don’t talk nonsense,” said Alice more boldly: “you know you’re growing too.” “Yes, but I grow at a reasonable pace,” said the Dormouse: “not in that ridiculous fashion.” 

I can’t help feeling that now is the time, like Alice, to grow in a ridiculous fashion. Then the next natural leap for mankind might be better than the chilling vision W. B. Yeats’ presents in the last two lines of his poem The Second Coming: 

And what rough beast, its hour come round at last,   

Slouches towards Bethlehem to be born?

We have no option but to grow too big for this nonsense. Then perhaps, when the hour has come, we can rise up and exclaim:

Who cares for you? You’re nothing but a pack of cards!”

In The Lion’s Den

I have periods when I need to go into myself, to assess the confusion that arises from the conflicting information that presents itself in the form of opinions and beliefs. Who is right and who is wrong? Why do I lean towards one side more than another? This is a perfect time to be in the arena of the world. We have been thrown to the lions with no audience but ourselves. We watch from our tiered seat as we use all the tactics we can to avoid being snapped up in the jaws of the lion. It is a slow motion scenario, so there’s time to calculate our chances of survival, and that means questioning deep-held beliefs: on the surface and under the surface and above the surface. In short,a holistic approach to problem solving. Let’s be clear, if we are thrown to the lions (and we are on a daily basis!) do we have time for being right or wrong? And yet it is here where the opportunity, the potential for change occurs. We are in the arena now and always have been.

Where am I in all of these fine words? This is the point. My thoughts about life – what’s happening on many levels in the world right now –  are just thoughts about it. They are not “it”. They are based on old drivers of belief, of childhood versions of right and wrong, both individually and collectively;  political and spiritual. They beg the internal question: Who am I in all of this? I find when I look at my day to day life and  the encounters I have, whether in person, phone, Zoom, or the written word, who I am is revealed. I don’t act from a belief. I act from a deeply visceral response to each situation as it arises. I don’t use a fine mathematical problem to calculate my response. I may use shielding techniques that make for a shallow connection, but if I act from what arises in whatever present moment I’m in, I find there is a seamless sense of joining. In short,  the rampant lion becomes my best friend. Not an enemy to be feared or to fight. These are just inadequate words to express something that is so present that it cannot be conveyed by the words themselves. At best a whiff of it will stop us looking for something to believe in or an opinion to hold on to, but rather, by looking deeply at the learnt beliefs we hold, we can free ourselves to act in the presence of danger (which, let’s be honest, is around us all the time!) and to be seamlessly connected.

Having said, all of this is about our own inner integrity. If we can court and marry that, we cannot not change what is going on “out there”, whatever our beliefs and opinions! When called upon, we simply need to be prepared to respond with our deepest  connection to one another.  Even in duality we can act as if we are one…and then the lion will lie down with the lamb.

Remember, remember…

I sit here at my laptop  on a chilly autumn afternoon, the sun making Chagall patterns on my wall and bookcase. It is a particular light that I am used to in late Autumn: a hint of winter brightness, far more intense than summer’s softer, Turneresque touch.

The night before last, November 5th, was bonfire night. Despite a second Lockdown, the English tradition of “celebrating” Guy (or Guido to give him his proper name) Fawkes and comrades’ failed attempt to blow up the Houses of Parliament in 1605, went ahead. The night sky was periodically shot through with fireworks: a symbol of the unlit gunpowder.

The tradition includes a bonfire that, in my younger days, was not illegal. People had them in their gardens, or on village greens, as did my Quaker boarding school, accompanied by Catherine Wheels and Bangers and all sorts of fireworks that are now banned. The Quaker principle of pacifism didn’t deter the school from building a huge bonfire and placing a straw Guy dressed in a collection of old rags on top.  I recall watching the token Guy benignly seated at the pinnacle of this tipi-shaped pyre. In my first year I and another boy, as the youngest pupils in the school, were given the task of throwing matches into the stacked wood until it caught. I was mortified by the applause from schoolchildren and teachers as the wood sputtered and crackled into life. I hated watching the Guy sag and disappear in the flames. Is this why I have always retained a dislike of the tradition? Who can tell. But I can still see my small self mortified at being watched by the whole school. Little was I to know then, as an extremely shy 10 year old, that I would become a singer and perform in front of thousands of people. But now that I am past my performing days,  my shy self has returned and my “performance” is on the page, to an unseen audience. As I write I throw the matches of imagination from mind to fingertips until the page bursts into flame in a shower of words.

As for the political implications – the unrest in 1605 compared to what we have now… well, that’s a discussion I prefer to leave as I enjoy my newly-lit fire.

Wondering…

This is a time for wondering as well as its first cousin, pondering. As everything changes on a daily basis, I hear people saying things like, “Just when I thought it was getting back to normal”, or, “How am I supposed to live?”, as yet another draconian ruling is made that seems to solve nothing except cause more distress and economic ruin. It is becoming ever more clear that those setting the rules are shooting in the dark,  perhaps prompted literally by darker forces (take that as you will, but I do a lot of exploratory reading and viewing). It seems that there are two camps: those who follow the rules and perhaps even believe this virus to be as deadly as the Spanish Flu, and, in the other camp, the so-called conspiracy-theorists (an absurd term clearly ascribed by camp one to cover anything that doesn’t fall in line with their narrative!) who believe a wide range of things from the “sensible” end of holistic health, to the furthest, Blade-Runneresque end of a global re-set. Social media of course is, as ever, a tapestry of voices that are as multi-coloured as Joseph’s famous coat. We are literally dazzled by this constant array of, to quote the bard,  voices “full of sound and fury”. if you know the rest of that quote then mentally add it now! Yes we now all know – and if we don’t we haven’t been engaging with any social media – that George Orwell’s vision is apparently coming true. Most writers of what we call science fiction, have predicted events or states (in all senses), often well into the future at the time of writing. But when that future meets the present, we see how visionary many of these writers were. I recall watching 2001: A Space Odyssey in the late sixties when it dovetailed somewhat with the moon landing. Both are indelibly stamped on my memory, as I felt something momentus had happened. It was like dreaming a fabulous or insightful dream where one actually says to oneself from within the dream “I must pinch myself so that I remember it.” Invariably that works. One sort of knows when a truth – however and whatever type of “truth” – shows up before it’s happened.

Alice and her pack of cards…

I have been following a writing guru. Not for writing. That bits done. It is all about how to reach a targeted audience. The idea is that you build up a list of fans and get them hooked! Well, it’s not as simple as that of course. There are steps, and it is those steps I’m learning in the videos. I have read and listened to a lot of writers-cum-how-to-sell- your-book entrepreneurs and given up on them after being bombarded by emails that made me feel like Alice with the pack of cards falling on her head! Perhaps after 2 months I am just in the right place to methodically work through a process that I may as well trust. I like the way this  young, successful, hype-free writer/entrepreneur delivers his spiel. And what the heck? So far his information is free and I DO want to reach more people with Things in Heaven and Earth, otherwise, once I’ve exhausted my own contacts and everyone’s got tired of seeing it in Facebook et al,  I would like to stretch my readership with some of this good man’s suggestions. Well, I have nothing to lose, but time. Speaking of which, the sun is shining in and a walk along the seafront beckons…

   

Maiden Voyage: Things in Heaven and Earth is sailing…

On Sunday 13th I held a launch for my book in my home town. Despite the current climate I felt I wanted to mark the occasion and what better place to hold it than a large open garage-cum-art gallery, directly beneath where I live? Funky Art was recently transformed from a storehouse for an upmarket junk shop, to a gallery that represents a spectrum of local artists. With so much space and room to stand in the open, it was a perfect venue for social distancing requirements. I invited 40 and prayed for good weather. My prayers were answered: the sun shone, nearly everybody turned up, some from far and others closer to home. Prosecco and goodwill flowed equally. People were glad to responsibly mingle the day before further restrictions would have prevented the launch from happening.  The highlight for me was the performance of the two charismatic actors who brought excerpts from the book alive in a semi-staged reading. We are so blessed in my neck of the woods with creative talent. Hastings was once described as “a poor man’s Brighton.” Interestingly it is that very fact that brought a host of creatives to its threshold. It was (not now!) a cheap place to live, and its biggest attraction was the sea. Yes, Brighton had captured that market too, once upon a time, but soon became known as “little London.” And now, here we are in the crazy little towns (separated only by an invisible demarcation line a short walk East from Queen Victoria’s imperious statue) of Hastings and St Leonards. But I digress.

The launch was a focal point for me; something to help Things in Heaven and Earth sail into the world on its maiden voyage. I have no idea where it will go and how many it will reach, but so far the feedback has been, on the whole, positive, the story clearly capturing the imagination of some and intriguing others.  I have been a little apprehensive about reader’s reactions to the sections that are of a deeply spiritual nature, but it is this, in my mind, that gives true value to a story that highlights the different levels of human connections and interaction.  In my ongoing quest to define the book, I have come to see that overall it speaks of a love beyond the limited definition of human love. We have only to fall in love to know that something utterly overwhelming has ripped us out of our habitual life and given it meaning. It’s what happens after the fuss has died down that challenges us and we may find ourselves yearning for a more meaningful, deeper, ever-present love. It is the restrictions of being human that frustrates, and yet Colin and Dee’s experience reveals the potential for”meeting” this all-embracing love. As someone wise once said: if it’s happened once, it can happen again.  Simply put, the story of Colin and Dee and what happened after their initial explosive meeting, gives love a whole new meaning.

Those who are not engaged by Things in Heaven and Earth keep silent. And that is fine. Reading  it prompted one reviewer on Amazon to write, “The book is interesting in that it is able to be read purely as a romantic story about two people on one level and yet it has far deeper things to consider almost constantly as one reads.”

Next up is another learning curve – the business of serious publicity!

   

The author finds time to laugh                        Funky Art Gallery – the stage is set

  

Rachel McCarron, starry-eyed as Dee                                                 Jonny Magnanti embraces the text

Things In Heaven and Earth – beyond the words

Some people who have read the book are coming back to me saying how insightful they found it; that it made them think about the ways in which they respond to life. I open my introduction to the book with these words: “Life is an assumption.” This statement reflects what is constantly brought home to me when I meet strangers or even people I purport to know.  If I “feel” my way into the heart of what they are saying, rather than simply listen with my ears, I get far more of a sense of who they are. Language is a means of communicating agreed ideas, but the meaning behind words is far more revelatory. We learn to hide what we feel for all sorts of reasons. It becomes a modus operandi, a face we put on in public, revealing ourselves only to a chosen few. But if you listen carefully to the feeling behind what someone is saying, whether it’s a friend, shop assistant, stranger on the bus; politician etc, you are more likely to experience them from a deeper perspective, rather than simply “taking someone at their word.”